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The Rebels of Writing

It's not often that two independently successful screenwriters work on the same film without one rewriting the other. And, with the current economy, selling a pitch for $2 million doesn't happen very often either. But, somehow, Simon Kinberg and Aline Brosh McKenna have recently managed to accomplish both. Photo: John Mattera

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A Kick-Ass Interview

Kick-Ass is not your typical comic book. The super-violent series follows an ordinary kid who puts on a costume and fights crime as a real-life superhero. Filmmaker Matthew Vaughn read the comic and decided to adapt it—before the series was even completed. Script talks to Vaughn, scribe Jane Goldman, creator Mark Millar, and illustrator John Romita Jr. about how the project came to life. Photo: Marv Films/Lionsgate

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Writers on Writing: A Nightmare on Elm Street

A general meeting surprisingly landed writer Eric Heisserer the job of bringing back one of the most frightening villains of the 80s. He takes us into the franchise reboot of A Nightmare on Elm Street and the many challenges he faced—including the origins of Freddy Krueger and the role of sleep patterns—in ratcheting up the fear factor. Photo: Chris Whetstone

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Alice in Wonderland

Scribe Linda Woolverton leads us down the rabbit hole as she discusses her personal take on Alice's return to Wonderland, working with director Tim Burton, and how a dark time in her own life helped her write a film audiences won't soon forget. Photo: Disney Enterprises, Inc.

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Man of the Moment: Noah Baumbach

Over the years, Noah Baumbach's films have, consciously or not, chronicled the ups and downs of Generation X. His newest movie, Greenberg, tackles a difficult character who is faced with recovering from a breakdown and making himself a better person ... in spite of himself. Photo: Wilson Webb

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The Black Pearl
Dream Project: The Black Pearl
by Ray Morton

Every screenwriter has his or her own dream project – that special script that hasn't landed yet, but that he/she will never give up on until it finally reaches the screen. For the screenwriting duo of Eric Johnson and Paul Tamasy – authors of the upcoming Mark Wahlberg/Christian Bale-starrer The Fighter – that script is The Black Pearl. "That's one that we're really passionate about," Johnson says. "It's one we'd really love to see get made."

The Black Pearl is the story of a troubled young man that tries to become a superhero in the real world and all of the complications that ensue. The concept was conceived by Johnson's cousin, actor and comic book enthusiast Mark Hamill following the infamous Bernhard Goetz "subway shooter" incident that occurred in New York City in the early 1980s. As Eric explains:

Podcast: Jane Goldman, Kick-Ass screenwriter

Kick-Ass is not your typical comic book. The super-violent series follows an ordinary kid who puts on a costume and fights crime as a real-life superhero. Filmmaker Matthew Vaughn read the comic and decided to adapt it—before the series was even completed. Script's Jeffrey Berman talks to Kick-Ass screenwriter Jane Goldman about how the project came to life.


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2010 Writers Guild Award Winners
2010 Writers Guild Award Winners
compiled by Ray Morton
On February 20, 2010, The Writers Guild of America, East (WGAE) and the Writers Guild of America, West (WGAW) announced the winners of the 2010 Writers Guild Awards for outstanding achievement in writing for screen, television, radio, news, promotional, and videogame writing at simultaneous ceremonies at the Hudson Theatre at the Millennium Broadway Hotel in New York City and the Hyatt Regency Century Plaza Hotel in Los Angeles. Susie Essman of Curb Your Enthusiasm hosted the East Coast show, and Seth MacFarlane, creator and star of Family Guy, hosted the West Coast show.

Q&A: MICHAEL HOFFMAN
CAPTION: Director Michael Hoffman and actors Helen Mirren and Christopher Plummer, from left, pose during a photocall for the movie "The Last Station" in Berlin, Germany, Friday April 4, 2008. The film is based on the life of Russian novelist Leo Tolstoy. (photo Associated Press)

The 1-3-5 Story Structure Made Simple System
storystructure.jpgThe 1-3-5 Story Structure Made Simple System: The Nine Essential Elements of a Sellable Screenplay by Donna Michelle Anderson
review by Robert Piluso
Entitled "Why don't scripts get sold?," Chapter 1 of Donna Michelle Anderson's (DMA) book is exactly one sentence long: "Scripts don't get sold because the screenwriter didn't know, understand or respect the process of selling a script." Then you turn the page. What the rest of Anderson's slim book reveals is that process in a clear, concise, no-nonsense style. While most screenwriting books emphasize the artistic aspects of screenplay-writing, Anderson's book is more of a pragmatic screenplay-selling guide. Usually she's right on the money—the nine elements she presents are solid, sensible guideposts. You may not know what happens once your screenplay leaves your trembling hands, but if your screenplay is to have any chance of really going anywhere, you really should. And DMA is here to tell you, to break down the DNA of a sellable screenplay.